How to Write a Book Proposal for a Publisher

So you have finished your book? That’s great! Your literary baby has been carefully crafted and completed.  All that perspiration and imagination has finally paid off.  It was well worth it all, wasn’t it? Even though you had many sleepless nights and you had to cancel so many social engagements. But now that your work is all done and dusted, you would like to share it with the world, right? Absolutely! I hear you say.  Aside from writing a book, whether it be a collection of short stories, a non-fiction travel guide, or a fantasy novel, writing a book proposal is the next big challenge to be faced in your creative writing journey. So how do you write a winning book proposal?

Before I get into the specifics of writing a book proposal, there are a few things you need to know about the publishing industry. I am talking about the traditional publishing market, not the self-publishing DIY option.

The publishing industry is one of the biggest mass media juggernauts in the world, and traditional publishers have very specific guidelines for book submissions. Publishers can afford to be choosy as there are so many authors around the globe who are writing novels and vying for the public’s reading attention.

As well as being a commercial enterprise that looks out for the next best seller that will generate high revenue, traditional publishers are also culturally minded and have the book-reading public’s interest to consider.

The humble book is still regarded as the perfect vehicle for the transmission of complex ideas, information and characters, so publishers are always looking for a book that is well-written, engaging and even ground-breaking. But the challenge is to get your book in front of the publisher’s commissioning editor.

Preparing a Book Proposal: Author Checklist

A book proposal is a formal way of introducing your book to a potential publisher. It includes details like the title of the book, tagline, synopsis, marketability, etc.

  •  Research the publisher

Before you start writing your proposal, research the many different publishers from small independent publishers to large multinational houses. Look at their existing book titles. What kind of readers do they target? Penguin Random House has an extensive list of genres: romance, science fiction, fantasy, non-fiction, health, and fitness. They cater for an extensive readership: Children and Teens, Young Adults, and General Readership.

  • Read the publisher’s manuscript submission guidelines

Publishers have very strict guidelines on manuscript submissions. Some publishers accept submissions on particular days, like ‘Manuscript Monday’ or during the first week of every month. They may require you to submit your manuscript as a hardcopy or as a digital copy. They may only be accepting particular genres. Whatever you do, do not just send the manuscript and hope they will read it. Start your publishing relationship the right way, which is the publisher’s way.

Two very important things to remember when submitting your manuscript

 1. Never send your first draft

This probably seems obvious, but I have heard a few stories about dodgy narratives being submitted. No pun intended. Write a few drafts of your manuscript, check your writing for spelling, punctuation and grammar mistakes. Have someone else have a look at the manuscript. It is so easy to miss glitches in your own work, which may put your manuscript in the publisher’s shredder – a bit harsh I know.  But this point needs to be emphasised: you want to leave a good impression with your potential publisher. If they read your manuscript, they want to see that you take your craft seriously and you are dedicated to good writing.

Have a look at your plot, characters, etc. Are your characters compelling?  Is your plot fully fleshed out? Even though your book does not have to absolutely perfect, as the publisher will probably make some editing suggestions, it is still important that your story looks polished.

2. Never send the entire manuscript unless the publisher is asking for the entire manuscript

Publishers have a lot of manuscripts to read, so they may only require a sample of your work, and then if they think it has promise, they will ask to see the entire manuscript.  Once again, check their website to see what their requirements are.

Now that you have done your research and read the manuscript guidelines, it is time to start writing a book proposal. Here are some things to include.

1. Title of your Book

The title of your book is one of the most important aspects of your book. A good title can make or break a book. Choose a title that will catch the publisher/reader’s attention and imagination. Something short and catchy that sums up the theme of your book.

2. Tagline or Log Line 

A tagline is a one-line description that sums up the content of your book. It should mention the main character,  the character’s action or the main plot. The key to writing a good tagline is specific word choice and strong verbs and images that catch the reader’s interest.

3. Story Synopsis

The story synopsis is a concise description of the book that should be up to 300 words. The synopsis should include an overview of the main topic/themes/subjects, main characters, and narrative scope.

A good tip is to include the conclusion of the book as well so that the publisher can see the overall continuity of the plot, and that the book is actually finished.

You might find that some publishers may accept a book if it is not fully completed, but they will still need to see that you have written a substantial amount of the narrative. But it is very rare for a publisher to accept a book that has not been completed.

4. Length and Format of the Book

What is the word count of your book?  Novels usually contain 70,000 words.

Children’s Picture Books or Graphic Novels

If your manuscript is a picture book for children or a graphic novel, you can include the details of the illustrations or images that you want to include in the narrative. Some publishers ask for the images to be included as an attachment, or if they want hard copies, they will ask for a DVD. Are the illustrations or images your own work or do they belong to someone else like a paid illustrator? Be aware that some publisher’s like to use their own illustrators.

5. Author Details

Include your title: the name that you want to appear on the cover of the book. Also, provide a short biographical note (up to 50 words) that includes your occupation, special interests, any university degrees or achievements, writing awards, and social media platforms that you are actively involved with. Even though the publisher will promote your work, you are now an authorpreneur and you should also be dedicated to promoting your own work. If there are any other contributors/co-writers or illustrators, include their details as well. If you have sent your manuscript to other publishing houses, you should include those details too.

6. Manuscript Marketability

This section is very important as it shows the publisher that you are interested in them as a high ranking socio-cultural entity in the marketplace, not just because you want to them to publish your book and give you a substantial advance.  Here are some details that you can include.

A. Book Comparison.

Once you have chosen your publisher, have a look on their website. Find two titles that are similar to your book. Include the title of the book, the author and the book’s theme, and how these two books compare to your book.

A book is a marketable product just like a box of corn flakes. And just like any business, the publishing industry looks for a book’s marketability. There may be certain genres that are ‘trending’ at the moment like historical romance, crime thrillers, or speculative fiction. So have a think about what age demographic would be a good target for your book. Would it appeal to young adult readers of fantasy or paranormal fiction? If so, why would it appeal to this particular age group, which is usually from 15 up to 25? Does it include supernatural themes, dark fantasy settings and characters like vampires, etc?

B. Book Competitiveness

How will your book compete with other titles, what advantages or features does it have over existing titles? What is unique about your book, what is its strengths? What can your book bring to the global reading table that readers have not read before?

Maybe your book is a crime thriller and the plot centres on a brilliant, yet socially awkward female detective who hunts serial killers, but hides her own shady past. Maybe you use genre fusion, and combine horror with romance, or maybe your book is a modern fairy tale.

7. Domestic or International Marketability

As you consider the global marketability for your book, ask yourself these three questions.

1. Does your book have the potential to attract a global market with a wide readership?

2. Is your narrative set in a particular country, or does it focus on a particular people group like indigenous people?

3. Will it appeal to some niche groups like university/intellectual readers or for those readers who are interested in social justice issues?

Even though the overall marketability of your book will be determined by the publisher, your own research shows that you have done your homework and that you are passionate about your craft and your book.

8. Contact Details

Include your contact details: email address, telephone number, and your postal address (for formal correspondence).

9. Manuscript

Some publishers will ask for the entire manuscript, while others may ask you to send in a certain amount of pages.

Finally, although there is no secret formula for getting a publisher to accept and publish your book, learning the tricks of the publishing trade, and writing a book proposal that adheres to a publisher’s guidelines, will give you a better chance at having your book shared with the world.

I hope you have found these tips on how to write a book proposal for a publisher helpful, and I wish you all the best for your writing career.

Happy Writing.

 

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Steel Lock/magazines

Agnail. Pixabay.com

 

 

Write a Dynamic Opening for a Story

 

When it comes to writing a short story there are two important structural guidelines to remember: the ‘beginning and ending‘.  Although there are other guidelines, the ‘beginning and ending’ of a short story are considered to be among the most important.  These guidelines apply to novels as well, but for a short story, there is a limited word count in which to offer an intriguing storyworld.  So let us get started in exploring how to write a dynamic opening for a story.

A story’s opening paragraph should be designed to capture a reader’s imagination and inspire them to read more.  The opening paragraph acts as a pivotal gateway through which your reader must enter so that they can journey successfully through your story.  There are many ways of beginning a story: setting, character description, action, a statement, an idea, or posing a question.

1. SETTING

Your setting could be a location: a windswept beach, a dark Dystopian city, a magical underwater world, or a simple hobbit’s hole as described by J. R. R. Tolkien on the opening page of The Hobbit – “In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or eat: It was a hobbit-hole, and that means comfort.”

2. CHARACTER DESCRIPTION

The opening lines can introduce your main protagonist, for example –“Ella leaned back against the cold damp stone wall. Her porcelain skin was pale and drawn, with deep lines etched around her eyes and mouth, and her once glorious golden hair hung in matted tendrils around her face.”

3. ACTION

Starting your story with strong action is a great choice as it thrusts the reader into the thick of the story.  “The baying of the hunting dogs drew closer as he dashed through the thickly wooded forest.  Like a mad man, he fought his way through the close-knit trees, until he was suddenly redeemed by a burst of bright sunlight as he stumbled out of the forest into a small clearing.”

4. A STATEMENT

The iconic opening statement in Charles Dickens’ A Tale of Two Cities is dramatic, poetic and memorable, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of our despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way . . .”

5. AN IDEA

How about Jane Austen’s opening line in the classic novel, Pride and Prejudice – “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”  Starting your story with an idea can really get your reader thinking.  Although they may not agree with your idea, they can be compelled to read on to see where this idea will take them.

6. A QUESTION

“Where’s Papa going with that axe?” said Fern to her mother as they were setting the table for breakfast.” Charlotte’s Web, E.B. White.  Beginning your story with a question sets up intrigue in the reader’s mind.  You have provided them with a question that needs to be answered and they must commit to the whole story to discover the answer.

I have provided just a few tips on how to write a dynamic opening for a story in a way that will capture your reader’s imagination.

 

Next week: We will explore the creative possibilities for your story’s ending.

 

Image.

Books

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